55. Don't Kiss Me, the Art of Claude Cahun & Marcel Moore, 2006, non-fiction, art, history, biography, 4/5
Separate book post because some people, entirely reasonably, choose to avoid Nazi references (although choosing to be a fascist is imo a "chose not to be warned" life experience).
( Context is good actually. )Don't Kiss Me, the Art of Claude Cahun & Marcel Moore, 2006, which is a collection of essays about the lives and art of CC & MM, plus a generously illustrated catalogue of the Jersey Heritage Trust's collection of Cahun and Moore's art, letters, and other archived documents such as news clippings (leaving out only the contents of CC & MM's published books). Some of the essays were more edifying than others. "On a le dieu qu'on mérite, tant pis pour soi". The art is what it is, and this collection represents what Moore / Malherbe possessed at the time of her death. The couple had presumably lost some of their personal art collection to Nazi destruction, both intentional and careless, when their home in Jersey was occupied after they were arrested for 4 years of active resistance (Cahun claimed the couple had created and distributed around 2,500 pieces of anti-Nazi propaganda!). This book and this collection isn't a complete overview of Cahun and Moore's works. Warnings for brief mentions of Nazi crimes against humanity, attempted suicides, and anorexia.
My fave photo is
Je Tends les Bras in which Cahun gives surreal life to a stone gatepost.
Transgressive art positioning a gravestone as a phallic symbol, or Cahun clinging to hope over death?
Clue: it's not exactly a traditional Hope and anchor. I note again that androgyny is not masculinity and making jokes about phallic symbols doesn't imply the joker wants one for herself.
Claude Cahun repeatedly visually referenced herself with symbols of female genitalia, including pussy cats, and seems to have imagined the anti-Nazi art and propaganda campaign she and Marcel Moore engaged in as resistance cats toying with Nazi eagle-birds.
- 1940,
Nazi soldier-eagles on the beach overlooked by Cahun's enthroned cat.
- 1945, shortly after the couple's release from prison,
Cahun made a portrait of herself with a Nazi eagle uniform badge between her teeth (like a cat with a bird). Significantly, the badge was a gift from the uniform of one of the German soldiers held for desertion &c, in the same prison, who Moore / Malherbe and Schwob / Cahun encouraged and supported.